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ARTERO BREL
Patrick Artero and his acolytes have concocted a CD which is… musically incorrect, where Brel dances upon dissonance, where jazz gives out another new tempo to the flat rhythm currently heard.
Remy Kolpa Kopoul, ConneXionneur, Radio Nova, Paris.

Released on 2006, october 30th
1. ouverture / 2. Madeleine / 3. le plat pays / 4. le diable (ça va) / 5. les flamandes / 6. Vesoul / 7. Amsterdam / 8. à jeun / 9. la mort / 10. Jaurès / 11. dors ma mie / 12. Knokke-le-zoute tango / 13. je t’aime / 14. les désespérés et final


Brel is words :

« … Patrick Artero has struck an artist deal with Nocturne. With his young accomplice Sébastien Vidal (programmer of TSF,  THE Jazz radio), an established artistic director, they ponder upon the project. Artero is not afraid of being labeled as « the man of the repeats. » They go over all the chanson française. Patrick first thinks of Paul Misakri, whose version of L’étang  by Blossom Dearie obsesses him, but Ray Ventura’s accomplice is a bit forgotten. Brassens ? Already done with the Haricots Rouges. Ferré ? To be frank, he doesn’t know him well enough. So what about Brel ? He plunges and replunges into his complete work. He leaves aside the anti-religious songs ( Si j’étais le Bon Dieu , Les cathédrales ), and the easy hits Rosa Les bonbons Ne me quitte pas . He starts with sixty, then forty, then finally twenty themes. The new version of Brel is real big deal ! The bass player-arranger Vincent Artaud starts working on it. Where the Bix used to be played in quartet, for Brel, Vincent Artaud proposes, on top of the rhythmics, a completely new sonority which gives the project all its remarkable nature: trombone, bassoon, clarinet, flute and viola. It is neither baroque, nor precious, but festive and classy, with an infinite range of reflections. Whereas Artero gives the tone, Artaud gives the colours. A real criminal conspiracy. Now we only need a goldsmith’s rhythmics, plus the dazzlingly talented note carver named Giovanni Mirabassi and finally an unexpected spicy bonus guest accelerating the heart beat, with the effusive large hands of the Argentinian percussionist Minino Garay.
Now you just need to come to the surface of words, or even make them blossom again on this lavish couch. Le cousin Gaspard, la Mer du Nord, les Flamandes who dance, wordless…Patrick Artero and his acolytes have concocted a Cd musically… incorrect where Brel dances upon dissonance, where jazz gives out a new tempo to the flat rhythm currently heard. »
Rémy Kolpa Kopoul. ConneXionneur Radio Nova - Paris